These entries chronicle a choreographic research process that began in 2011 and eventually led the creation and performance of Midway Avenue in 2014. The process includes visits to London to interact with colleagues Wendy Houston, Matteo Fargion and Rahel VonMoos as well as rehearsal in Philadelphia with a cast of dancers. The early research project and eventual production were funded by the Pew Center for Arts and Heritage. Enjoy!

Friday, July 8, 2011

Perception is not reversible

We perceive and we cannot go backwards from there. Only forward. Whether or not we consciously remember what we’ve perceived it has happened. Though the moments we perceive are forever passing us by, our perception is feeding our momentum forward. We use knowledge of the past to plunge forward into the unknowable future. Rahel Vonmoos is a Body Mind Centering Practitioner. She led a warmup the other day that focused on the kidneys as a place of power and support: a place from which to motivate movement. I had the image of a motor, a soft circular belt at the base of my ribcage pushing me gently forward; the world flying past and curling around to press from behind. The day of explorations fostered a decisiveness and listening in the three of us. Starting. Restarting. Starting in the middle. Performing as if we knew what was going to happen. The rhythm of listening and deciding.

As I near the edge of my time here in London, this phase of my creative research, I think about the ways my perception has widened. I think about these new perspectives living inside my body, traveling with me forever in some way or another. It has been two weeks of listening, absorbing, deciding, waiting, repatterning. In the dance studio, on the streets of London, in the tube, the museums, the pubs, in my quiet apartment, and in the long lovely moments alone…

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